I have watched many a movie the past three weeks. Obviously, because I have had too much time on my hands. I just thought I would record them down here so that I could remember the smelly crap that I forced myself to sit through. Since there are quite a few films, added to the fact that I am extremely too lazy to get into a full-on intelligent rant about each one, I am going to half-ass my reviews, whether you like it or not. I will begin with Gone With the Wind.
Gone With the Wind (1939)I honestly watched this film because not only was I looking for some nice Clark Gable eye candy to glorify at for four goddamn hours, but I figured it would take me an entire day, or weekend - to finish; being that I take plenty of bathroom and Facebook breaks. It took me a total of six hours to complete viewing the movie. Did I like it? Yes, I enjoyed it. What did I think of it? Overrated. Granted, it is good, but it didn't make me soil my panties like it did to pretty much the entire rest of the world's population for the past seventy years - perhaps because it isn't exactly for my tastes. I never took an interest to the Civil War era, Scarlett O'Hara is a bitch, yadda yadda yadda. What I enjoyed the most out of this film was how it was spectacularly made for its time - the cinematography, the Technicolor, the musical score, the acting, and of course the ensemble cast. One more time - I dig Clark Gable's ass. No wonder he had the authority to be a womanizer. A Clark Gable rant is in store for the future. Please remind me to do so.
Footlight Parade (1933)
I have to admit, I love classic musicals, which is the complete opposite of how I feel about modern-day musicals. I also adore James Cagney, both as a gangster and as a song-and-dance man. To be honest, I watched this film without paying much attention; not much at all to go as far as to say that I don't even know the plot. The only times that I took my attention away from my AOL Instant Messenger conversations was when there would be a song-and-dance number by either Dick Powell or James Cagney, as well as the aquatic number. Judging from the little knowledge that I have of this film, I still have to say it was very well done, especially for its time. I bet that if I had paid attention, I would have enjoyed the living shit out of it.

The Giant Spider Invasion (1975)
This shit was hysterical. But for the most part it was unbearable to watch. Kind of odd how I actually put an effort to try to pay attention to this film, as opposed to Footlight Parade, which is obviously of much more quality. The highlight of this film was one redneck man saying to his redneck mate, "You're so dumb you wouldn't know rabbit turds from rice krispies." And the girl didn't even get all that offended.

Rope (1948)
By god, do I fucking love this movie. Not only do I love James Stewart and it is he who based my decision to watch this film, but because of this film I personally discovered John Dall. I am sure I have seen him in other movies, but never actually paid attention to him. Not only is he a nice piece of meat to look at, but he as the antagonist did an amazing job. Every minute of this film is an actual minute happening in the characters' lives, and there is not a single point of which the camera cuts to another scene - all of this makes for a very unique viewing experience. Watch this movie. It is twisted, fucked up, and will definitely not disappoint.
Zombi 2 (1979)
Grindhouse films are the shit. Zombie films are the shit. Put them both together and you don't always come up with something awesome. Sure, this movie has tons of blood, guts, and zombies, but for some reason it failed to jiggle my pants. It was alright for mild entertainment, or if you want to see lots of blood. But overall...I say, "Eh. 'Twas alright." Some tits in this movie too, if you're into that sort of thing.

Monster A Go-Go (1965)
Holy shit, did this movie suck fucking balls. It was harder to watch than an indian porn. Had a very small number of B-movie laughs, but it was so bad that after I laughed at seeing the monster for just one fucking time, not even that was enough for me to pay attention to the rest of this pile of shit. I'll allow Wikipedia to do the explanation on why else this movie was terrible:
The film had an unusual production history. Director Rebane ran out of money while making the film. Lewis, who needed a second film to show with his own feature, Moonshine Mountain, bought the film, added a few extra scenes and some dialogue, and then released it, creating an odd, disjointed film with little continuity. Rebane had abandoned the film in 1961; Lewis did not finish the film until 1965 and so was unable to gather all of the original cast, resulting in almost half the characters disappearing midway through the film to be replaced by other characters who fill most of the same roles. One of the actors Lewis was able to get back had dramatically changed his look in the intervening years, necessitating his playing the brother of the original character.

Die, Monster, Die! (1965)
I enjoyed the fuck out of this film. Not only am I sucker for Boris Karloff movies, but this one was actually very well-done - the plot kept me captivated and there was plenty of suspense, there was a half-decent looking chick that for a very tiny fraction made me want to turn into a lesbian, shit would jump out and actually somewhat jiggle my nerves, and the set pieces were very fascinating to look at. This was a good horror movie. End of story.
The Brave Little Toaster (1987)I have not watched this film in - no lie - seventeen years. Upon watching it again, I still love it just as much. It's just that I didn't cry this time. I guess it was the first film in my entire history that has made me shed a tear or two, and there aren't many. The blanket fucking kills me with his sentimentality and his voice. It had some nifty references that children wouldn't get, like the one referring to
North By Northwest when the radio is pointing in which direction that all the appliances should go in their search for their "master." What makes this film even greater is the fact that Jon Lovitz and Phil Hartman did voices for the radio and the air conditioner.
There you have it. Roger Ebert ain't got shit on me.